"Gorgeous" - IN THE SHADOWS reviewed
June 30, 2014 | Ken Sparling | Comments (23)
In the Shadows by Kiersten White and Jim Di Bartolo
Reviewed by Geraldynn, age 18
“In the daylight, order ruled, fences stood, how-do-you-do’s and polite nods were the recipe. But at night, darkness rendered everything still and hush and secret. Minnie was a curator of secrets.” – Kiersten White, In the Shadows.
Gorgeous. That was my first thought upon opening this book. Glossy pages. Full-colour illustrations. The prose flows like poetry. Even the pages with text have an appealing border design. The ambitiousness of the novel’s presentation of its story makes typical paperbacks look dull in comparison. Reminiscent of the visual and written style of The Invention of Hugo Cabret (adapted into the movie Hugo), the dark fairytale mystery of The Night Circus, and the centuries-spanning story of Cloud Atlas (now also a movie), the story reads like a dream, flowing from action-packed illustrations to short, written chapters that end with increasingly sinister twists. The tone can shift from dreamy to nightmarish in a blink.
There are two main plots. Both start in the early 1900s. One, represented by text, runs on a daily timeline and is rooted in ragtime-era America. The other, presented in pictures, starts at the same time and place but soon jumps ahead, skimming through the twentieth century and into the twenty-first. From London and Paris to New Orleans and Las Vegas, as well as Italy, India, Mexico, Turkey, Egypt, Japan and more, the mystery seems to entangle the whole world. Depictions of various architecture, landscapes, and fashion trends of different time periods and cultures make for a beautiful reading experience.